8-Bit Heart, High Def Work (A Review: Simon Curtis - 8-Bit Heart)

Official Website: http://www.simon-curtis.com/
Follow Simon on Twitter: http://twitter.com/SimonCurtis

"There once was a boy who was made, not created. He wanted to learn. He wanted to indulge his senses, to understand pain. But most of all, he wanted to love. For only when he found true love would he become real."

With those opening words begin "8-Bit Heart": a beautifully twisted electronic fairy tale about a boy robot's search for true love in a world of humans who "complicate the word". An album released solely on the interwebs (for now, at least) just yesterday (03/24/2010) by a young (and completely adorable) young talent named Simon Curtis.

I admit that prior to my seeing it posted on a blog I frequent, Curtis' name was unfamiliar to me. While this is his debut album, he was the star of 2009 Nickelodeon musical TV movie "Spectacular".  For all you music prudes out there, don't let that fact taint your opinion! One listen to "8-Bit Heart" is all one needs to see that Curtis is not your cookie cutter pop star, and this album is not like your standard pop fare. 

In an industry and genre where there has been a waning focus on genuine talent over the last few years, the robotization of vocals has become almost expected. Sadly, many of the top artists out there can't deliver the goods in a live setting and as a result it seems electronic music and the art of vocal processing and production has gotten a bad reputation.

On "8-Bit Heart", the albums narrative seems to both demand and justify the use of heavy processing techniques on both the inventive (and sometimes unconventional) instrumentation and on Curtis' versatile character-driven vocals. (He is, the boy robot.)

The album's songs are solid; built on edgy beats that throb, pound and grind their way into your subconscious. Each track creates a new sonic landscape and though the album is cohesive as a set, none of the songs really sound alike. Vocally, Curtis is equal parts Darren Hayes and Blake Lewis. Lyrically, he often strays from the norm and a few songs are pleasantly disarming in their frankness. (Check out "Fell in Love With An Android" below; for the delicious diss "I hate to say it but I'd rather fuck a robot.")

Cementing the concept/narrative of the album, the tracks often contain tongue-in-cheek references to other modern pop songs (Britney's "If You Seek Amy", Kelly Clarkson's "Since You've Been Gone" and Gaga's "Bad Romance" are all referenced) and lots of homage to technology.

Curtis is equally comfortable on and off the beaten path as the tracks often vary in their audible proximity to all out radio-friendly pop and a more transgressive fare, showing that while he is certainly an artist he has a great pop sensibility. This is definitely one guy to watch out for!

Recommended Tracks: "Fell In Love With An Android", "Joystick", "Super Psycho Love" and "Don't Wanna Be Alone" (but I truly enjoy them all!)

"8-Bit Heart" is available now for free download at http://www.simon-curtis.com/

Get it while it's hot!!! 

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Who’s the Boss? Part I

“We're here to re-dedicate you to The Power, The Passion, The Mystery, and The Ministry of Rock and Roll.”-- Bruce Springsteen, 1999

If you read my last post, you know I take music very seriously. It would not be much of an exaggeration to say that it is my religion. Music sustains me in a way that I think prayer does for some people. In my faith, Bruce Springsteen has become the patron Saint of Benevolent Messages.

I began listening to Bruce Springsteen in university, but really, his music had always been there, in the background. I had previously only known him from ‘Born in the USA,’ and I thought of him as a stadium rocker, nothing more. I didn’t know he had had a whole career prior to his massive 1984 hit. I discovered an artist of great versatility (the bombast of Born to Run, the bare bones of Nebraska), capable of writing songs with social value (‘Murder Incorporated,’ ‘Streets of Philadelphia’) and songs of introspection (see especially Tunnel of Love and Darkness on the Edge of Town). I admire him as a person as well. Unlike other artists (Bob Dylan, Franz Ferdinand, The Beatles, etc., etc.) he has never allowed his music to be used in commercials. Although he is a millionaire many times over and lives in a big old mansion, I don’t think he’s very comfortable aligning himself with the ‘haves’ (who have too much). I see him as someone who never forgot his working-class roots. In this way, he reminds me of my parents. My father instilled in me a healthy disdain for anyone whose only goal in life is making money, a value I’d like to think Springsteen shares.

Anyway, I’m trying to tell you that his music is important to me, and for about seven years now, his music has taken on an unusual role in my life. Have you ever been listening to the radio, thinking about a certain song, and then the song will come on? It happens to everyone, right? Since 2003 or so, I’ve noticed that if I’m in a store that’s playing music, or listening to the radio, a Bruce Springsteen song will come on when I’m feeling sad or anxious.

The first instance was when I was an undergrad at Dalhousie University. I had just come from my abnormal child development class, where we watched a disturbing documentary about young psychopaths. I was sitting on the bus, waiting to go home, literally worrying about the fate of humanity—when a Springsteen song came on. I don’t remember which one, but I do remember the instant feeling of calm. Since then, these moments come at such a rate that I’ve almost come to expect them. The last time it happened was Saturday, March 6. I was driving back to Halifax from my parents’ house, and I was having my daily crisis (although on some days it’s hourly). I was asking myself “Can I do this (academia)? Can I handle it all?” No sooner had these thoughts scrolled across my brain than ‘Glory Days’ came on.

Now, I’m not a complete flake, but I’m not a total cynic, either. Sure, I guess that if you look at how often I worry, and how often Bruce Springsteen songs are played on the radio, those times are going to overlap. Yeah, fine, it makes sense. But maybe… something, I don’t know what, is telling me that everything is okay. Maybe everyone receives such messages, but perhaps not everyone is lucky (or cursed, depending on your tastes) to receive their messages in the form of Springsteen songs. Whether it’s coincidence or divine intervention, I’m glad I get to experience his music in this way. Has anything similar happened to you? I’d love to hear your stories.

I’ll leave you with one of my favourite Boss songs, from his Tunnel of Love album. Soak up the 80's goodness!

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